Contemporary art from Asia seems to be increasingly abundant everywhere you look, from our leading museums to our most progressive galleries. So it is no wonder that more and more curators are scrambling to shed light on the differences and the distinctions from country to country. And it is hard to say where influences originate, and it is even harder to say what came first. But I do see an intriguing amount of crossover from American artists to Asian concepts and esthetics, and vice versa in Incarnation, a stellar show curated by Inhee Iris Moon.
And from what I understand from Ms. Moon, this is just a piece of a pie that is far more diverse and complicated. With all that said, I am thoroughly impressed by all the work in the exhibition, especially with respect to the curator's emphasis on art that reveals great clarity of vision, an emphasis on craft, and the indication of the larger, more wholly spiritual picture.