Music Review

Nouvelle Vague: S/T (Luaka Bop)

Nouvelle VaguePaul Anka doing a swing album of alternative rock songs turned out to be a bad idea, because the people involved didn’t treat those songs with respect and/or understanding. Get this disk instead. Nouvelle Vague is a French band with two clever producers at the helm and rotating eight breathy-voiced female singers (supposedly picked because they were unfamiliar with the original versions); they play a series of familiar punk and new wave classics in bossa nova style. Every song remains immediately recognizable (not true on Anka’s album) and most are sung (or at times recited) quite earnestly, with the drastic exception of the Dead Kennedy’s “Too Drunk to Fuck,” which is giggled through with full awareness of its inherent sarcasm and as an expression of the protagonist’s inebriated condition.

Jack Rose: Kensington Blues (VHF)

Jack RoseHands down one of the most intricately beautiful instrumental albums of the year so far. Jack Rose (of Virginia neo-psych band Pelt) is not only a guitar virtuoso of the highest order, an adept finger-style picker in the Rev. Gary Davis/John Fahey tradition (he covers the latter’s “Sunflower River Blues”), he’s an imaginative genre-hopper who – like Fahey in his later years – can make his acoustic guitar an instrument for meditative psychedelia, even make it sound like a sitar.

Aside from the Fahey cover, all eight tracks on this solo excursion are originals, starting out in a mostly traditional vein and then, on the second half of the disc, mixing in the raga influence on alternating tracks.