Theater Review

All The Gorey Details

Gorey: The Secret Lives of Edward Gorey
Written and directed by Travis Russ
Presented by Life Jacket Theatre Company, HERE, NYC
April 30-May 22, 2016

If you’ve ever watched the opening of the long-running PBS anthology series Mystery!, then you’ve seen the art of Edward Gorey. If you haven’t, well, he is not the most mainstream of artists, though perhaps the mainstream has edged closer to his sensibility in our post-Tim Burton, post-Hot Topic world. Gorey: The Secret Lives of Edward Gorey, a new play by Travis Russ, does not walk the audience through Gorey’s greatest hits in common biographical narrative fashion (so if you are unfamiliar with his work, do yourself a favor and look into it on your own). In fact, in this play, Gorey refers to his most famous work, The Gashlycrumb Tinies, with clear weariness. Instead, Gorey quickly asserts that time is "fragile, fleeting, and fluid," and takes that idea as its structuring principle. Andrew Dawson, Aidan Sank, and Phil Gillen share the stage as younger, mature, and older versions of the artist, a compression of Gorey’s life that derives poignancy from its multiple perspectives and voices, such as when the youngest Gorey cheerfully says that the move to the Cape Cod house that he and his cats would occupy until his death is only temporary. Gorey was something of a collector, to put it mildly, and the contents of his house, catalogued by volunteers after his death, provide the other structuring principle in the play, with items often triggering memories or enactments of various points in his life. Read more »

Broadway's Secret Weapon

Drew Hodges is at a loss for words. Asked if he’s surprised at the life he’s leading -- did he imagine he’d grow up to fly around the world orchestrating scenes with great actors and artists for his own wildly influential agency -- he pauses three entire seconds. “I wish I had an answer for you,” he says. “It's like, Come for the veal, stay for the floor show.”

You might not know Drew Hodges’ name, but if you’ve enjoyed some form of popular culture in the past decade, you’re living in a world he helped create. "When I started, the idea of theater was still very much that ‘fabulous invalid’ thing," he says, “sort of dying, old, kind of nostalgic. I was lucky enough to work on a lot of stuff that started to chip away at that."

Twenty years ago, art-directing for his small design firm’s music, film and cable clients, Hodges was offered his first theater project, a little show called Rent. The man for whom performance meant taking the train from Hyde Park, NY, as a high schooler to see Yes at Madison Square Garden harnessed the excitement he felt watching innovative theater and expanded his rock & roll take to advertising, moving the firm carved out of his Flower District apartment closer to Broadway, where it would grow into the entertainment powerhouse SpotCo. Read more »

You've Got Spam!

SPAM
Written by Rafael Spregelburd and translated by Jean Graham-Jones
Directed by Samuel Buggeln
Presented by The Cherry Arts
JACK, Brooklyn, NYC
April 14-30, 2016

Making a performance look easy is very difficult, but the fantastic new production of Argentine playwright Rafael Spregelburd’s intricately-constructed SPAM makes it look effortless. SPAM, making its English-language première in a translation by the City University of New York’s Jean Graham-Jones, probes some of those boundaries and spaces between appearance and reality, especially where language is concerned. Mario Monti (Vin Knight) is a linguistics professor with an ethically questionable relationship to the work of one of his thesis students and a case of amnesia from a head wound. As the play unfolds, both he and we come to understand more about how he ended up living in a hotel room in Malta, trying to hawk Chinese-manufactured talking dolls on the beach for cash and befriending a Swiss diver filming an underwater documentary. Read more »

Spot On!

On the Spot
Broadway Comedy Club, NYC 
Monday nights, 8:00 PM

In the olden days ("Tell us great-grandfather") there was vaudeville, where young performers could cut their teeth, playing on the various circuits all around the country. So where do emerging singers and comedians get their time before an audience in this strangest of all eras? Of course there's the web, but tweeting responses or comments below a YouTube video do not in my opinion constitute a flesh and blood audience--those hearty folk who make an effort to move their bodies into a performance space, and let a singer or comedian know in no uncertain terms if they've "got it." Read more »

Not My Baggage To Bare

You Are Now the Owner of This Suitcase
Written by Mando Alvarado, Jenny Lyn Bader, Barbara Cassidy, Les Hunter, Joy Tomasko, Gary Winter, and Stefanie Zadravec
Conceived and Directed by Ari Laura
Kreith Theatre 167 West End Theatre, NYC
April 9-May 1, 2016

The instantly recognizable blue logo for the A train provides the “a” in the sign reading "Once Upon A Time" that hangs high above the stage upon which You Are Now the Owner of This Suitcase is performed. It alerts spectators that what they will see is not your typical take on New York City; and the creative force behind it, Theatre 167, is not your usual theater company. The company takes its name from the 167 languages spoken in its birthplace of Jackson Heights, Queens, and describes its mission as bringing together voices from a multiplicity of backgrounds in an intensely collaborative process of theatrical creation. You Are Now the Owner of This Suitcase is the middle play in The Jackson Heights Trilogy, which also includes 167 Tongues and Jackson Heights 3AM and was written collaboratively by a total of 18 playwrights. Audiences do not, however, need to be familiar with the other plays in the trilogy to thoroughly enjoy this magical realist tale of hope, love, diversity, and community in New York City. Read more »

Allegorically Speaking

I Am Not An Allegory (these are people i know)
Written by Libby Emmons
Directed by Ali Ayala
Horse Trade Theater Group, UNDER St. Marks, NYC
March 10-26, 2016

I Am Not an Allegory (these are people i know) jumps into the big questions right from the start, with a conversation between café coworkers Ames (Natalya Krimgold) and Severin (Conor Daniel Bartram) in which she puzzles over whether identity is intrinsic or constructed and what would happen if she switched lives with the people she passes when she is running, and he wonders whether there is any meaning that isn’t manufactured. Ames and Severin are two nodes in the network of characters who populate Libby Emmons's play, in which a dance class run by Danesha (Masonya Berry), forced to retreat home after a failed attempt at a professional dance career in New York City, is the hub of their intersection. Danesha is best friends with Ruby (Olivia Nice), whose feelings of emptiness are not alleviated by her relationship with Dan (Mateo D’Amato) and his concerns with power. Rounding out the class are Jess (Lindsay Perry), a single mother supporting herself with some unexpected stay-at-home work; Marcia (KL Thomas), who is afraid of accidentally revealing what she sees as her weirdness at a job interview; and Mary Ellen (Kyra Sims), who criticizes the lack of ambition shown by her boyfriend, Lando (Clifford Ray Berry), and his dreams of a music career while herself subsisting on red wine and selling jewelry. Read more »

FRIGID Festival 2016 - Part Deux

The tenth annual FRIGID Festival continues apace in New York City's East Village, and in our second of two dispatches from it, we discuss comedies by three solo performers, whose exploits take the audience to places including Canada's "best city," a Mormon mission to Argentina, and one of the least relaxing mudbaths ever. We are touching on only a fraction of the 30 shows in this year's festival, but more information can be found on the FRIGID New York website, where there is also a deal available that gets you into three shows for just $30. FRIGID is proud to be the only NYC festival that gives all proceeds for ticket sales to the actors and creative team behind each show. The show with the highest box office will receive an encore performance at the end of the festival, and audiences are encouraged to vote for their favorite shows. Read more »

FRIGID Festival 2016 - Baby, It's Warm Inside

The tenth annual FRIGID Festival is underway in New York City's East Village, and in our first of two dispatches from it; our first trio of plays under discussion includes a twelve year-old pornographer-for-hire, an irreverent grandfather, and a cabin in the woods. We will touch on only a fraction of the 30 shows in this year's festival, but more information can be found on the FRIGID New York website (http://www.frigidnewyork.info/), where there is also a deal available that gets you into three shows for just $30. The show with the highest box office will receive an encore performance at the end of the festival, and audiences are encouraged to vote for their favorite shows. Read more »

These Events Will Not Be Televised

Due to Events
Written and directed by Jean Ann Douglass and Eric John Meyer
Human Head Performance Group
The Brick, Brooklyn, NY
February 5-27, 2016

For much of Due to Events, the terrific and very funny new play by Jean Ann Douglass and Eric John Meyer, the conversational partners available to protagonist Hero (Anne Gridley) are one living animal and one dead one. Hero, a writer whose work concerns "the future," has been arrested and confined by order of the authorities to her one-room apartment while she awaits a trial with no set date, allowed to communicate with representatives of those authorities only by speaking into a taxidermies squirrel. Upon its arrival, this squirrel catches the interest of Hero's Cat (Laura Campbell), the only living thing that she has contact with aside from her dedicated if unconventional Lawyer (Ben Beckley). Read more »

Theban Plays

Theban Plays
Created by Ryan Pater, Eliza McKelway and Deidrea Hamid
Directed by Asa Horvitz
The Brick, Brooklyn, NY
January 22-30, 2016

Anyone expecting from Theban Plays a straightforward modernized retelling of Sophoclean tragedies should abandon that idea. This highly experimental work, conceived and directed by Asa Horvitz and created by its performers, uses its ancient Greek antecedents, short pieces of which are read at several points, as a jumping-off point for a tapestry of monologues, video, audio and music, and even painting. Taken together, these elements bring lines of thought inspired by its sources to bear on an interrogation of aspects of the modern condition. Read more »

Gimme 10-Minutes

The Fire This Time 10-Minute Play Festival (2016)
Krainer Theater, NYC
January 21-February 6, 2016
 

The Obie Award-winning The Fire This Time Festival, a showcase of "early-career playwrights of African and African American descent," has returned to the East Village for its seventh iteration. Its 10-minute play festival features a strong slate of seven new short plays that demonstrate the festival's mission statement, that "[t]he African American experience is not represented...by one voice or one style," with tremendous impact. Read more »

Touch Me

Touch
Written by Toni Press-Coffman
Directed by James Masciovecchio
Cave Theatre Co. UNDER St. Marks, NYC
January 14-24, 2016

A chance meeting in a high school physics class kicks off the narrative of Bronx-born playwright Toni Press-Coffman’s Touch. Kyle (Josh Triplett) gets to know quirky free-spirit Zoë after she pokes her head into the wrong Arizona classroom. After graduation, they marry, and Kyle channels his lifelong love of science center into a career in astronomy. Aside from some of the usual marital disagreements, their relationship brings out the best in one another, until, on one Thanksgiving spent with Kyle's childhood friend Bennie (Alex Etling) and Zoë's sister Serena (Cassie Wood), a random act of violence alters the course of all of their lives. Read more »

Object of Affection

The Changeling
Written by Thomas Middleton and William Rowley
Directed by Jesse Berger
Red Bull Theater at the Lucille Nortel Theatre, NYC
December 26, 2015-January 24, 2016

Ushering in the New Year, Red Bull Theater brings us a tragic tale of sex in payment for murder. Jesse Berger sure-handedly directs Thomas Middleton and William Rowley's 1622 tragicomedy The Changeling, the main plot of which introduces the noble Beatrice-Joanna (Sara Topham) as she finds a "giddy turning" in herself from Alonzo de Piracqo (John Skelley), to whom her father, Vermandero (Sam Tsoutsouvas), intends her to be married, towards Alsemero (Christian Coulson). In order to "change [her] saint," she eventually enlists the aid of her father's servant De Flores (Manoel Feliciano), whom she professes to abhor and whose skin condition suggests a spatter of blood across his face, to remove the obstacle that is Alonzo. Read more »

Take Another Hit!

Puffs, or: Seven Increasingly Eventful Years at a Certain School of Magic and Magic
Written by Matt Cox
Directed by Kristin McCarthy Parker
The People’s Improv Theater, NYC
December 3, 2105-February 28, 2015

Harry Potter and the Cursed Child premieres on stage in England in July, and Warner Brothers looks to extend its cinematic success with J.K. Rowling’s franchise with a trilogy of Fantastic Beasts and Where to Find Them films beginning in November. For fans of a certain scarred wizard who can’t wait that long, or who can’t afford to fly to London for a play, there is another delightful option to be found right now: Puffs, or: Seven Increasingly Eventful Years at a Certain School of Magic and Magic. From playwright Matt Cox and Kristin McCarthy Parker, director of this past summer’s Jurassic Park parody Hold on to Your Butts, Puffs follows the members of the perennially last-place house through their years at a well-known English school of magic as they exist on the margins of, and sometimes intersect with, chosen-one Harry’s story, a bit like Rosencrantz and Guildenstern are Dead without the existential dread. Read more »

Fiddle This!

Fiddler on the Roof
Broadway Theatre, NYC

I was in my local supermarket when Gwen Stefani came on the speakers:

If I was a rich girl (na, na)
See, I'd have all the money in the world, if I was a wealthy girl
No man could test me, impress me, my cash flow would never ever end
'Cause I'd have all the money in the world, if I was a wealthy girl

And it made me wonder how many teenage music consumers around the world had any idea where that little tune came from. My conclusion? Not many. Read more »

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