Theater Review

In Defense of an Epic Musical

tale-two-citiesThe critics were not kind to the new Broadway musical version of the Charles Dickens classic A Tale of Two Cities. Reviews ranged from mixed (critics referring to the novel’s famous first lines in saying the musical wasn’t the best of shows, but wasn’t the worst either) to harsh. While Tale certainly recalls shows such as Les Miserables and does not break any new ground, for me, at least, it tells a great story in a compelling, atmospheric, and dramatic fashion. Some critics feel that the era of epic musicals is past. But if the audience is given a good production of a strong story, I don’t see any problem with that. Read more »

The Beast is Back

urban-deathLike a deck of demented cards, Zombie Joe reveals his latest creation at The Players Theatre, masterfully tainting old MacDougal Street with all sorts of blood, guts, and gore. Whatever your secret nightmares may be, Zombie Joe's Underground has something to unleash for your vicious fantasies.

Presented as a night of horrific scenes and personified fears, Urban Death was the perfect way to usher in the ghosts and demons of All Hallow's Eve and remains relevant for the horror that the upcoming holiday season can bring.

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The Power of Full Presence

meeting-bodhisattvaIt's been said that the 20th century belonged to the West, and particularly to the United States of America, while the 21st century will belong to Asia, particularly China. If this is indeed the case - and it seems likely - then we of the falling-off empire need to know more about the Eastern world on many levels. Art is certainly one window into these Asian cultures. Right now at BAM's 2008 Next Wave Festival one can experience a stunning theatrical work from Taiwan, Meeting with Bodhisattva.

The U Theatre, directed by Liu Ruo-Yu, presents - through movement, drumming, vocal sounds, and ritual - a compelling 80-minute performance marked by commitment, discipline, and synchronization.

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Watch the Little Man Be Destroyed

woyzeck-bamIcelandic theater director Gisli Orn Gardarsson has brought a very dark, very disturbing production of Georg Büchner's Woyzeck to BAM's 2008 Next Wave Festival. Of course Woyzeck, written in German in 1836, assembled after the author's death, published in 1879, and first staged in 1913, is a famously brooding work, considered by many the first truly modernist play. In 25 or so short scenes depicting a kind of everyman's destruction, Büchner captured the abysmal state of poverty and powerlessness experienced by many in his time. But this weird, expressionistic narrative of dominance, cruelty, jealousy, and betrayal has continued to seem relevant. Read more »

Cracking Up

enter-laughing-playIt is rare for a failed musical to be given a second chance over thirty years after its unsuccessful debut and turn out, in its new production, to be a rousing success. But, that is exactly what is happening at the York Theatre, where Enter Laughing has not only been given a delectable mounting, but has also gotten great reviews and become a solid hit.

You may have heard of Enter Laughing, but probably not its musical rendition. It debuted back in 1958 as a "semi-autobiographical" novel by Carl Reiner, and was turned into a successful Broadway play, starring Alan Arkin, in 1963.

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Wild Ride to Hell & Back

beast_artAt the heart of Michael Weller’s new play Beast is a metaphor that captures the deep alienation of soldiers returning from Iraq. They exist in a kind of in-between world of the living and the dead, not truly of either, so changed, both visibly and invisibly. Directed by the talented Jo Bonney and produced at the New York Theatre Workshop, Beast is the surreal tale of two seriously wounded and disfigured veterans returning to the States from a military hospital in Germany. One of them, Jimmy Cato, has suffered facial scars and a missing arm, while his best pal and sergeant, Buddy Voychevsky, seems to have suffered the loss of an arm, massive burns, and a major head injury that has left him looking like a monster with a bowling ball for a head. Read more »

Nude Ambitions

equusMuch of the buzz surrounding the revival of Equus revolves around the Broadway debut of Daniel Radcliffe, best known for his Harry Potter role in the very successful series of movies. I’ve never seen a Harry Potter movie, but I was excited to see the play itself for a different reason. I saw the original production, which had come to Broadway after it had premiered in London back in 1973. The other lead role, that of psychiatrist Martin Dysart, was originated on Broadway by Anthony Hopkins, who gave a dynamic and memorable performance, and was later played by Richard Burton, who recreated the role for the film version. Read more »

Something Wicked This Way Comes…

poe-zombie-joe“Edgar Allan Poe’s Masque of the Red Death & The Tell-Tale Heart & The Bells”

A strange wind has blown us a dark delicacy from Los Angeles in the form of Zombie Joe’s Underground Theatre Group. Breaking more than the fourth wall, this staged adaptation of Poe, currently playing at The St. Luke’s Theatre, is a welcomed change from the norm.

If you’re looking for a night of traditional theater, this is not the show for you. However, if you’d to take a gamble on something you haven’t seen before, then look no further. The audience is attacked from all angles, including the lobby, as blood and sexuality ooze from the stage, providing a taste of the dark side for lovers of the macabre. Read more »

Carvajal Wears Contacts

green-eyes-playNormally a musical without a book would represent a work-in-progress, but this is not the case with Green Eyes. Although this new “boy meets girl” love story does not shoot for the moon, it hits what it aims dead-center.

Making its New York debut in this year’s Fringe Festival, Green Eyes tells a sweet and simple love story using only song and dance, no dialog. It is a basic story about two twenty-something lovers who meet, fall in love, have a fleeting relationship, face conflicts, and ultimately split up. Read more »

Squeaky Clean HAIR by Pantene Pro-V

hair_playThe most offensive thing about The Public’s current production of HAIR is how much we need an honest revival of this musical and how the opposite was delivered.

Fault falls first with the director, Diane Paulus. In directing a play that was intended to be for “the people,” as was announced from the stage before the show began, Paulus decided to stage the majority of the action for one third of the audience. Particularly disturbing about this move is the fact that most of the people who actually waited in a very long line all day for their tickets were sitting on the two sides of the house that were not being played to at all. Read more »

Blow Up Dolls Are Cheaper


If you're looking to spend an hour with the moderately creepy, then Zombie might be for you. This one-man play -- based on a novella by Joyce Carol Oates -- is about serial killer Quentin, who resembles Jeffrey Dahmer in his desire to create a zombie for his own personal uses. This production was adapted for the stage by Bill Connington, who also acts in the piece. Connington attempts to create a character of extreme emotional control, and he succeeds in doing so; the problem is, this can be very tedious to watch. In similar regards he maintains a nearly monotone, nasal voice for most of the piece, somewhat reminiscent of "Gavin," the Bruce McCulloch character from Kids in the Hall. Read more »

Risking Life and Limbs

craveIt is good to see theater groups take artistic risks, and for the second summer, the Potomac Theatre Project has come to New York City for a month to show their work at the Atlantic Theatre Stage 2. Sarah Kane’s Crave and the New York premiere of Neal Bell’s Somewhere in the Pacific opened in previews on July 1. This company prides itself on presenting works that “are unapologetically political in nature.” Political, here, includes the personal since they believe “the personal is always political.” Read more »

The Show Within a Show Within a Show...

title_of_showThe first new musical of the Broadway season isn’t exactly brand new. In fact, [title of show] has been on the scene in New York, off and on, over the past four years. It originated in 2004 at the New York Musical Theatre Festival (NYMF), where new musicals are presented for limited runs; as a result of achieving a good response there, [title of show] had a successful off-Broadway run in 2006 at the Vineyard Theatre. Last year, the authors, who also are the show’s stars, created a successful series of web episodes, which can be viewed on You Tube and on the musical’s own website, called “The [title of show] Show.” Read more »

George Carlin May 12, 1937 - June 22, 2008

george_carlinGeorge Carlin has died of heart failure. Considered one of the two or three greatest stand-up comedians ever, he started doing comedy in 1960 and recorded his first solo album in 1967. Long an astute observer of hypocrisy, language usage, and material avoided by most comics as too controversial, Carlin became notorious for his use of taboo words when that was a rarity in mainstream comedy. His routines involving the "seven words you can never say on TV" provoked an FCC lawsuit in 1973 that went all the way to the Supreme Court, which ruled against radio station WBAI in 1978. Read more »

Watered Down Pinter

caretakerPinter’s work can be very tricky. With all the purposeful pauses and odd behaviors, there needs to be an underlying drive in the characters, pushing the tension and action forward. Something almost subterranean. And this is what is unfortunately lacking in the production of The Caretaker at the Berkshire Theatre Festival in Stockbridge, Massachusetts, now in its 80th season. Of the three actors on stage, only one is fully up to the demands of his part. Jonathan Epstein as the old derelict Davies, brought indoors from a café fight to the single room where all the action occurs, is excellent. He has the requisite paranoid distrust that drives Davies, the endless resentment, and at the same time the cunning self-pity and delusions. Read more »

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