Film Review

The Shoeless Lolita

hounddog-dakotaHounddog

Humbert Humbert once notoriously reasoned that "[b]etween the age limits of nine and fourteen there occur maidens who, to certain bewitched travelers, twice or many times older than they, reveal their true nature which is not human, but nymphic (that is, demoniac); and these chosen creatures I propose to designate as 'nymphets.'"

Yes, the innocent have become temptresses. The victims villainesses. And this is the fate of prepubescent Lewellen (Dakota Fanning), a "white trash" Lolita in Deborah Kampmeier's semi-autobiographical ode to guiltlessness lost, Hounddog. Read more »

Paddle This!

To be perfectly blunt, Ping Pong Playa is third-rate crap. Unfunny crap. Unnecessary crap. This little entertainment is also unintentionally racist, misogynistic, homophobic, poorly acted, and shapeless. Unquestionably, if P.P.P.'s director had been a white man, he would now be receiving more opprobrium than Griffith for Birth of a Nation, the film that single-handedly revived the K.K.K. Read more »

Goodbye to Gonzo

hunter-thompsonGonzo: The Life and Work of Dr. Hunter S. Thompson

For the avid Thompson aficionado, Gonzo will be more of a belated memorial service providing the occasional unseen photo or unheard tale. However, if you’ve only had a taste of The Good Doctor and want to get a sampling of the full range of flavors he has to offer, then this film is a great way to satisfy that strange urge. Read more »

Holy Masterpiece! Here Comes Batman!

the_dark_knight.jpgDisclaimer: I have not seen The Dark Knight. I have not read any reviews of The Dark Knight, not even the one here on Culture Catch. (Sorry, Brandon.) I heard about it from one friend, who said he liked it, but was more interested in describing the big fight that took place in the row behind him at the Loew's theater over saving a seat. But, since it's impossible getting tickets, I'm not letting that stop me from reviewing this major motion picture release.

The Dark Knight, the latest installment in the Batman saga, starts not with the expected bang, but with an eerie whimper. Read more »

The Joke's On Us

joker_dark_knight.jpgBack in 1975, in a much discussed New Yorker profile, Pauline Kael noted Cary Grant's cinematic style could be labeled "pre-Freudian, pre-psychological acting-as-entertaining." She added that the star "was cast as Cary Grant, and he gave a performance as Cary Grant. It was his one creation."

If you accept that judgment, then Heath Ledger is (or was) Grant's antithesis, which certainly does not make his films any better. While it would nearly be impossible to limit yourself to picking five Grant favorites (e.g. North by Northwest; Bringing Up Baby; His Gal Friday; Arsenic and Old Lace; Notorious), it's rather demanding to even come up with five above-par Ledger titles. Read more »

Get Too Clever by Half

get_smart_photoIf only America made cars like Hollywood makes movies. We'd have a 600 mpg Hummer that goes 300 miles per hour, runs on solar power, is guaranteed to get you laid, but is also the ultimate family vehicle using completely recycled, Birkenstock-like materials. In other words, a Frankenstein monster: all the icing, just the good parts.

That is how Get Smart feels. There are snappy lines. Zany scenes. The requisite gross-outs. Pratfalls. Thrills. Bond-worthy action sequences. Even a tear in the eye or two. Read more »

Yet More Sex and the City

wacknessNot unlike the instantly recognizable Woody-Allen archetype--say Alvy Singer in Annie Hall--in The Wackness, Luke Shapiro (Josh Peck) is a secular New York Jew who has trouble getting laid and his best friend is his psychiatrist. Where the leads' personas diverge from a neurotic commonality is that Luke prefers computers games to Marshall McLuhan, and The Notorious B.I.G. to George Gershwin.

Additionally, unlike Allen's phobic characters and their more metaphysical struggles ("How can I believe in God when just last week I got my tongue caught in the roller of an electric typewriter?"), Luke’s greatest quandary is whether he's the most popular of the unpopular kids at school or the least popular of the popular ones. Read more »

Before the Devil Knows You're Dead

devil_deadAlthough also directed by Sidney Lumet about a robbery gone terribly awry, Dog Day Afternoon (1975) this isn't. Before the Devil Knows You're Dead, from Think Films, is a brilliant, harrowing, and emotionally charged crime drama about two desperate brothers (Philip Seymour Hoffman and Ethan Hawke as Andy and Hank respectively) who decide to rob their parents' jewelry store, with tragic consequences. Everything that can possibly go wrong does, and just when the viewer thinks that circumstances can't get any more dismal or left-of-center, they do. Read more »

A Waif Astray

factory_girlFactory Girl
Directed by George Hickenlooper (Weinstein Co. DVD)

The court of the silver-haired pied piper of the Factory has proved a substantial source of inspiration for movie-makers, through which Andy Warhol and his dubious darlings are reaping far more than his promised fifteen minutes of fame. Valerie Solanas and her SCUM gun, Basquiat and his designer dreads, Capote and his mewling mannerisms, and the long-promised story of the divinely beautiful Candy Darling are perfect examples of the lingering allure of trash and tragedy. It is no surprise that the latest trawl through the silver memories of the largely departed Warhol cavalcade is Factory Girl. Read more »

Lord of the Flies Redux

sop.jpg"The Hollywood war movies were propaganda for our side, and put us in the comfortable position of identifying with the heroic anti-Nazis," New Yorker critic Pauline Kael noted when reviewing The Sorrow and the Pity.

But if every film has a paladin of sorts, with whom can we connect in Errol Morris's latest documentary, Standard Operating Procedure, an unrelenting scrutinization of the Abu Ghraib horrors? Read more »

The Short and the Long of It

think_modineThey're a calling card, a vanity project, a graduate thesis, and a way to burn through the money of friends and family (not to mention your credit cards). And sometimes, they're great art. They're short films, and when they're done right, just like short stories, they are a breed apart. I've always mourned the fact that movies aren't preceded by short subjects any more. In our increasingly attention-span-challenged world, shorts would seem to be a great fit. And who needs to see 25 minutes of coming attractions? Read more »

Poultrygeist: Finger-Lickin' Moronism

poultrygeist.jpgHow much politically incorrect, defecation-filled, blood-laced, bare-bosomed, anus-violating imbecility can one movie musical contain? Director Lloyd Kaufman, the director of Poultrygeist: Night of the Chicken Dead and the man behind Troma Entertainment, has proven there are clearly no limits.

Certainly, this will be no surprise to any of the fans of Mr. Kaufman and his Troma ventures. The creative force behind such cult classics as The Toxic Avenger series, Class of Nuke 'Em High, and Sgt. Kabukiman, NYPD has clearly proven over the years that he can take on any liberal concern (e.g. nuclear waste) and KABOWEE! Read more »

A Gothic Cut of Quality

razor_blade_smileRazor Blade Smile (Manga Video)

"I bet you think you know all about vampires. Believe me you know fuck all!" purrs the divinely named Lilith Silver in perversely sophisticated English tones at the start of this wonderfully funny, outrageously stagy, British horror flick. Brilliantly portrayed by Eileen Daly, like Diamanda Galas possessed by the mischievous spirit of Fenella Fielding, she vamps and camps her character's bloody way through this low-budget masterpiece, sweeping along like Marilyn Manson in shades auditioning for the lead in The Matrix. This is a B movie which celebrates B movies, but which manages to transcend, and yet elevate, the genre.  Read more »

Oh, Canada!: If You Think Life Is Bad Now, Just You Wait! Or Make a Film

summit_circleThe Museum of Modern Art is home to two theaters programmed by some of the finest curators in the business. And if you ever get to chat them up at a cocktail party or at a MENSA meeting, you'll find them as charming as they are erudite, especially the celebrated Laurence Kardish, Senior Curator, Department of Film.

This, by the way, is the perfect time to kvell over Mr. Kardish, who organized, in cooperation with Telefilm Canada, last week's celebration of the celluloid side of our northern neighbor, Canadian Front, 2008. Eight feature films were screened spotlighting the best and more innovative talent of that rather huge country. Read more »

All is Forgiven: Well, Almost

all_3.jpgOne of the true highlights of the annual film calendar is the Rendez-Vous with French Cinema held at Lincoln Center in conjunction with the French Film Office/uniFrance USA. Each year Rendez-Vous spotlights some of the more challenging, beguiling, innovative, and/or gloriously oh-so-French offerings from across the sea. And along with the films come the directors and stars.

So between March 10 and 19, if you're by West 66th Street, get ready to run into Elsa Zylberstein, Claude Miller, Cédric Klapisch, Claude Lelouch, Sandrine Bonnaire, and a dozen more of French cinema's most dynamic talents. Read more »

Syndicate content