If you're not offended by blond, Finnish, amateur rugby players who have a penchant for blowup dolls, homosexual allusions, the frequent use of "pussy," and a fear of being fired by their employer, Nokia, Mika Ronkainen's affable documentary might just be up your alley. This oddball look at the Oulos, the third lousiest rugby team from their area, clearly argues that men will be men no matter the latitude: "In Finland, you rather get stabbed in the back than complain of female trouble."
It's 35 years after World War III, all water sources are radioactive, and the land is infertile. As for the robotic remnants of mankind, they live underground in a high-tech, totalitarian empire with a regime so invasive that when a computer detects you are dreaming, a recorded voice commands, "Take your dream suppressants!"
As for sources of water, one's urine and sweat are gathered and then recycled into drinkable liquids
How to Train Your Dragon concerns a youth and his best friend, a dragon. Sound familiar? Been there, done that with Eragon, Mulan, Pete's Dragon, and a dozen others. For a refresher course, check out the site Dragons of the Silver and Small Screen.
Of course, this 3D effort by the writers/directors of Lilo & Stitch, Chris Sanders and Dean DeBlois, is often visually enticing, yet after viewing Avatar so recently, the Pow! Factor is at times missing.
In 1953, the democratically elected government of Iran was being overthrown thanks to a CIA-backed coup d'etat with the aid of an oil-greedy Great Britain. Mohammad Reza Pahlavi was installed, and numerous lives were lost, not counting many freedoms. The aftermath? Turn on CNN.
Situated in that pivotal year, photographer Shirin Neshats startling feature debut, Women Without Men, is meant as a tribute to those Iranis who fought, those who were crushed, and those who died thanks to foreign imperialist interference.
Martin Scorsese, wanting to be Stanley Kubrick, has failed big time. I know The Shining, and Shutter Island is no The Shining.
Elephantine in every aspect, this attempt at a psychological horror thriller exploits the Holocaust, the plight of those incarcerated for insanity in the '50s, and the victims of anti-Communist purges by splicing together moments of those inhumane historical atrocities into an empty-headed, grotesquely dissatisfying cinematic journey.