Music Review

Kronos Quartet: Henryk Górecki: String Quartet No. 3 (Nonesuch)

songs_are_sungKronos Quartet: Henryk Górecki: String Quartet No. 3 (Nonesuch)

The aspect of this release that is immediately commented on in all the publicity and reviews is that this is a "drawer" work -- a piece a composer finishes and then sticks in a drawer rather than releasing it to the world. Kronos had already commissioned and received the first two string quartets (also available, on one disc, from Nonesuch) of Henryk Górecki (b. 1933), and when they commissioned this one as well, he responded quickly -- this monumental fifty-minute work (longer than the combined length of his first two quartets) was written in just two months and ten days -- this monumental fifty-minute work (longer than the combined length of his first two quartets) was written in just two months and ten days -- but then held onto it for ten years. Why? "I don't know why," he writes. Read more »

A Scissor Sister by Any Other Name

rita_jean_bodine.jpgRita Jean Bodine: Bodine, Rita Jean (20th Century)

Before succumbing to a silence she has regrettably yet to break, singer-songwriter Rita Jean Bodine produced two strikingly eclectic albums in 1974. They weren't her first sojourn into pop.

Her grandfather had purchased a piano for her even before she was born in Los Angeles on September 1, 1949 as Rita Suzanne Hertzberg. Little Rita was taking lessons by the age of four, Chopin, Bach, and Brahms being her heroes, but as she grew older she discovered that she also liked to sing, and write her own songs. Read more »

ANNIVERSARIES: Henryk Górecki's Symphony No. 3 Premiered 30 Years Ago, Topped Charts 15 Years Ago

sorrowful_songsHenryk Górecki (b. 1933) was a respected Polish avant-garde composer but little known in the West except to cognoscenti. Then Górecki wrote his Symphony No. 3, Op. 36 "Symfonia Piesni Zalosnych" (loosely translated as "Symphony of Sorrowful Songs") at the end of 1976. For soprano, multiply divided string sections, flutes and piccolos, clarinets, bassoons and contrabassoons, horns, trombones, piano, and harp, it is an unusual symphony. With just three movements, it's a bit less than 54 minutes long in this recording, which is faster than most; all three movements are marked Lento, with vocals about the deaths of children at the center of each. Read more »

Paul deLay Jan. 31, 1952-March 7, 2007

paul_delay.jpgBlues harmonica virtuoso Paul deLay, called by Howlin’ Wolf guitarist Hubert Sumlin “the greatest harp player in the world,” died suddenly in his home city, Portland, OR on March 7. deLay, who earned an international reputation not only as a harmonica master but also as a singer and bandleader, led his band at a benefit gig the weekend prior to his death, after which he complained of not feeling well. Monday he was diagnosed with acute terminal leukemia; he went into a coma Tuesday and expired on Wednesday.

Paul Joseph deLay was born in Portland, Oregon in 1952, into a musically inclined family. He became charmed by blues harp as a youngster after hearing Paul Butterfield, which led to his discovery of future influences George “Harmonica” Smith, Little Walter Jacobs, and Charlie Musselwhite. Read more »

"Old Knit" Benefit for The Stone -- Town Hall 3/1/07

zorn.jpgThe Stone, John Zorn's (photo left) Lower East Side club, pays the entire door to the performing musicians and supports itself with monthly benefit nights, mostly at the location. This exception was a celebration of the 20th anniversary of the Knitting Factory produced by the Knit's original owner, Michael Dorf, who in his opening remarks from the stage said, "It's felt a lot like a reunion." To the extent that was true for the members of tonight's audience who frequented the club's old space on Houston St., it was a warm and enjoyable experience; the parts of the evening alien to the Old Knit experience, though featuring the biggest names, were the parts that were most problematic. Read more »

John Nemeth: Magic Touch (Blind Pig)

nemethSo how does a blond-haired kid from Idaho mature into one of today’s hot new blues artists? According to the 30-year-old John Nemeth, he bought his first harp years ago because it was a whole lot more affordable than a guitar and amp. Blues harp fans everywhere ought to celebrate this. Blessed with a remarkably powerful, soul-inflected voice and formidable old-school harp chops, Nemeth is forging what should be a productive recording and performing career. He’s quite the performer too. Part ham, affable guy, and burning groove master, Nemeth is totally at home onstage. At a recent gig at Salem, Oregon’s Lefty’s (one of the West Coast’s and perhaps the nation’s premier blues clubs) accompanying guitarist Frank “Paris Slim” Goldwasser’s amp blew a few minutes into the first set. Read more »

Murray Perahia: Bartok Piano Works (Sony Classical)

perahia_bartokThis reissue -- Great Performances: Murray Perahia Performs Béla Bartók -- supplements a 1981 solo LP (of 1973, '76, and '80 recordings) with another Bartok piece from a 1988 album; Bartok Piano Works thus puts all of Murray Perahia’s recordings of the composer's work on a single disc. Perahia has recorded surprisingly little modern music compared to other currently active superstar pianists (this stuff plus the Berg Sonata is about it), but he sounds perfectly at home in this repertoire.

The Piano Sonata sounds like the masterpiece it is, simultaneously primitive and modern in its rhythmic ferocity and harmonic dissonance. Read more »

Boy Meets Girl, New York, 1968

tee_and_cara.jpgTee & Cara: As They Are (United Artists)

They were more innocent times. People believed in flowers, and peace and love, back then. Most of them disappeared into the real world. Eaten up by it, or absorbed, or disappointed with the brave new dawn, they vanished like the season’s blooms, so briefly cherished as emblems of a hope they were soon to lose. Some, though, made an album.

One that encapsulates the time, and yet nobly transcends it, is Tee and Cara’s As They Are. Read more »

The Light Show: Gary Lucas and Luke DuBois - Great American Music Hall, SF

gary_lucas.jpgA few weeks ago, I went to the Other World show, sponsored by CultureCatch.com and DLO, at Great American Music Hall in San Francisco. The show featured my friend Gary Lucas improvising with computer/video performance artist Luke DuBois. I'm old enough to remember the "light shows" of the late 1960s/'70s, having lived in the hotbed of psychedelic visual/psychotropic/musical experimentation of that period. In fact, The Barn, promoted by psychologist Leon Tabory, (Neal Cassady's friend and psychologist) in nearby Scotts Valley (at that time a rather strange little place whose main attractions included an exhibit of strangely twisted "prehistoric" trees, several giant "dinosaurs" that could be seen from the highway, and an overly cheerful little "Santa's Village") was our town's very own cauldron of social/tribal experimentation via LSD and other substances, and a destination for such shamans of the eye and ear as The Grateful Dead, Country Joe and the Fish, Janice Joplin, Led Zeppelin (it is rumored), and Captain Beefheart (1965). Read more »

The Shins: Wincing the Night Away (Sub Pop)

the_shins.jpgThere's still plenty of pop hooks on the Shins' third full-length, Wincing the Night Away, but James Mercer continues to mature as a songwriter and expand his production palette (working with veteran Joe Chiccarelli this time out), so don't expect a sequel to Chutes Too Narrow. A lot has happened in the past three-plus years; not just Natalie Portman's touting of the band in Garden State but also the acquisition of better recording equipment that let Mercer make most of the album at home yet still sound clearer than on Oh, Inverted World. Read more »

Michael Brecker 3/29/49 - 1/13/07

michael_brecker.jpgJazz tenor saxophonist, composer, and bandleader Michael Brecker lost his battle of several years with the leukemia-related blood disorder MDS on Saturday. He was 57 years old.

As a child in his native Philadelphia, Brecker was exposed to Miles, Ellington, Coltrane, and other jazz avatars by his father, lighting a fire in the youngster to follow his jazz muse. With his brother, trumpeter Randy Brecker, the popular and prolific sax man made an indelible mark in jazz and pop. The brothers’ careers began in earnest upon arriving in New York City in the early 1970s. The Breckers’ broad musical palette, ranging from hard post-bop to rock fusion, won them rapid acclaim and made them very sought after session players. Read more »

Alice Coltrane 8/27/1937 - 1/12/2007

alice_coltrane.jpgAlice Coltrane, second wife of John Coltrane and revered by avant-garde jazz fans as a great artist in her own right, has died of respiratory failure at age 69.

Born Alice McLeod in Detroit, she began classical piano lessons at age 7. Her mother was a singer and pianist in the Baptist church, and bassist Ernie Farrow (best known for his tenure in Yusef Lateef’s influential quartet) was her half brother. Later Alice performed in church and jazz groups, playing with such greats as Lateef, Kenny Burrell, Lucky Thompson, and Terry Gibbs. At that time, her style wasbebop (she took lessons from Powell in France in 1959). Read more »

Best Jazz of 2006, And More

jarrett.jpgThere's a lot of bias at work in this list. That's true of everyone's year-end lists, but I'm being upfront about it. For instance, there are three solo piano albums here. And, of course, I'm emphasizing jazz quite a lot  it's all jazz until the last two items, though arguably Arrington de Dionyso is better categorized as "Avant-garde Improvisation." The way this list is set up, it looks like my favorite folk album (entirely instrumental) and my favorite world music album (as sophisticated and complex as anything in any other category this year) are afterthoughts, but nothing could be further from the truth. Read more »

James Brown 5/3/1933 - 12/25/2006

jamesbrown Soul Brother #1, The Hardest Working Man in Show Business, taught us many things in his life. His last lesson: don't die at 1:45 AM on Christmas Day, or your only obituary that day will be a piece of hackwork that's been sitting in the Associated Press files for years, slowly accumulating paragraphs detailing embarrassing brushes with the law, health problems, etc. without granting much space to what made him noteworthy in the first place: his music. If all you knew of James Brown were to be gleaned from the AP obit, you'd think his music was mostly important for inspiring disco and hip-hop.

No. Not even close. Brown's music is its own reward, and remains superior to most of what it inspired in later decades. Read more »

Ahmet Ertegun 7/31/1923 – 12/14/2006

ahmet“Ahmet bey, Effendi” was how I always greeted him -- terms of affection and respect.

Ahmet passed away on the 14th of December. He was 83 years old and, after a past series of accidents and health problems, was in great shape. He should have been around quite awhile.

At the Beacon Theatre in N.Y.C., the Rolling Stones were giving a concert for Bill Clinton’s birthday. Ahmet was backstage, where he tripped, fell on his back, and hit his head. That was on the 29th of October. He never came out of a coma. Read more »

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