: The Weight of Light
Through October 20, 2012
The paintings of Matt Bahen are nothing if not quiet. That is not to say that they do not speak to us, directly and clearly; they do, but in hushed voices, as if imparting a secret. It might be easy to overlook such work -- simple, almost monochromatic paintings of derelict landscapes -- were it not so good.
Bahen's subjects are ruined places: empty industrial buildings, Anselm Kiefer-ish woods, and frozen, snowy rivers. It would be more precise to say that these are Bahen's locations; his real subject matter is paint. In "The August of the Night" (2012 [left]) and "In the Quiet of the Dark" (2012), Bahen uses the plays of light, gliding through empty spaces and tracing rectangular windowpane patterns on the walls to exercise a muscular brush, loading heavily leaded pigment layer by layer -- essentially sculpting that most fleeting thing, light, out of dense pigments.