Cloud Cuckooland is subtitled "a story about death," and it begins with its protagonist, the Girl (Cassandra Rosebeetle), at death's threshold, looking like a patient etherized upon a table as we hear her heartbeat and a voiceover that talks about the "blank space" underlying biology. The Jackdaw (Zahra Hashemian) picks up this thematic thread as she sings about dying being worse than being dead and compares ephemeral humanity to the eternal bird world. The Jackdaw and her companions, the Crow (Renata Bergen) and the Raven (Amanda Mottur), offer the Girl entrance to their avian empyrean, a chance for her to replace humanity's ungainly locomotion with feathered soaring. They present her with a contract (its terms an opportunity for some light comedy), something that any reader of fairy tales knows should be viewed with suspicion, especially when proffered by magical animals; the Girl must be dead and must embrace madness and reject her heart, and then she will ascend to the queenship of Cloud Cuckooland as the Phoenix. As in any good fairy tale, she makes the bargain, and we survey with her the birds' realm of madness and imagination. But is there only blank space under its surface beauty and apparent freedom, as implied by its denizens' avid hoarding of shiny objects set to the strains of a reimagining of Rossini's "The Thieving Magpie," and particularly when set against the depth of life associated with her heart, which continues to haunt her and by which she continues to be tempted?