Max Baker's new play, The Conspiracists, happens to be making its debut alongside widespread media coverage of the custody trial of toxic conspiracy monger Alex Jones, during which a lawyer for Jones argued that his on-air persona is merely performance art (a claim later disputed by his on-air persona). Many took this defense as a clear admission that he knowingly spreads lies for profit, but at least one writer has claimed that performing a character does not necessarily mean that the performer does not believe what the character delivers. That observation could apply equally well to the array of avowed believers who assemble as a support group in Baker's latest effort. In fact, one character, Hilda (Lisa Jill Anderson), posits, to the displeasure of the others, that belief in conspiracy theories is a self-protective measure masking feelings of powerlessness. That she may be objectively correct is not meant to demean these characters or to diminish the complexity of their lived experience, a point that is underscored by the fact that Hilda herself behaves not a sage dispenser of wisdom so much as a cheerfully, obliviously condescending outsider to the group, as absorbed in her own faintly silly interests as the conspiracists are in theirs.