How to Hamlet, or Hamleting Hamlet
Written by John Kurzynowski and Jon Riddleberger
Conceived and directed by John Kurzynowski
Presented by Theater Reconstruction Ensemble at HERE, NYC
March 30-April 14, 2017
The average person probably has at least a passing familiarity with William Shakespeare's Hamlet. But how is it different to know the Western canon's arguably most famous tragedy from the inside, so to speak? And can that shift in perspective, even if observed rather than experienced directly, allow the audience to see the play afresh, with different eyes? In John Kurzynowski and Jon Riddleberger's metatheatrical comedy How to Hamlet, or Hamleting Hamlet, created and performed by Theater Reconstruction Ensemble (TRE), a quartet of people (Nathaniel Basch-Gould, Sam Corbin, Joshua William Gelb, and Emily Marro) find themselves unexpectedly performing Hamlet (a problem, one would imagine, that most of us are glad not to encounter). TRE is a collective that seeks to "reconstruct both classical and canonical forms of theatricality through the playful development of works over time," and How to Hamlet uses a play centered on revenge, madness, and an existential crisis as the basis for unpredictable fun. To borrow from Troilus and Cressida, "this is, and is not," Hamlet.