A screenwriter bursts into his agent's office. "I have a great idea for a new picture," he enthuses. "We do a remake of The Wiz, only with white people." Clichéd Hollywood joke, sure, yet spot on, with regard to current received ideas of making art. The Reboot, Redux, the Remix -- pretty much any fucked-out form of production -- has replaced genuine individual expression. Part Matisse, part von Sacher-Masoch, part Mary Shelley, the work of Nicola Tyson draws from a wide range of inspiration while managing to pull off that most important feat in art, remaining uniquely her own. Tyson is exhibiting her recent paintings and sculptures at Friedrich Petzel through November 5, 2011.