Art Review

Voodoo Problems

Peter Williams
Foxy Production
Through March 23, 2013
 
"Art should not have to be a certain way." -- Willem de Kooning

For Peter Williams's first solo exhibition at Foxy Production, he is showing work from two distinct but interconnected bodies of work:large figurative paintings depict fanciful, fractured narratives that mix cultural and personal histories with fields of pattern and color; and a set of smaller paintings that distil and intensify visual moments from the larger works, magnifying and expanding them. Williams's paintings tell entropic tales, with figures caught in moments that show their fragility -- scenes of everyday life, both seen and imagined. Read more »

Little Q + A: Amos Poe + Bradley Rubenstein

Bradley RubensteinYou are known primarily for your film work, but this show, Robots, is paintings. Is painting a new venture for you, like an extension of filmmaking, or something new?

Amos Poe: I am a filmmaker and have been making various art objects for years; the similarity is that they both take over my conscious and subconscious, and I'm compelled to get them out. Painting is a new discovery, or at least the pleasures of it are new. A new love. I started having dreams of robots in May of 2012, and the first painting came about a week later. I've been painting these robots since then, and the dreams still come regularly. I think everyone should have a robot in her or his life.

BR: You are a seminal New York filmmaker, so it almost seems beside the point where you are from, or studied, or whatnot -- but I'm going to ask you anyway. Read more »

Public Image, Ltd.

Jean-Michel Basquiat
Gagosian Gallery
Through April 6, 2013
 
Life is a dark chain of events. 
-- Frederick Neitzsche
 
Pay for Soup.
Build a Fort.
Set that on Fire. 
-- SAMO (Jean Michel Basquiat)
 
Jean-Michel Basquiat was a unique and prodigious artistic talent who fused drawing and painting, pop culture and music, with history and poetry to produce an artistic language and content that was entirely his own. Combining the tools of graffiti (Sharpie markers, spray enamel, and chalk) with those of fine art (oil and acrylic paint, collage, and oil stick), his best paintings maintain a powerful tension between opposing aesthetic forces -- thought and expression; control and spontaneity; wit, urbanity, and primitivism -- while providing acerbic commentary on the harsher realities of race, culture, and society in the early 1980s New York social landscape. 

Daydream Nation

Various artists: NYC 1993: Experimental Jet Set, Trash and No Star
The New Museum
Through May 26, 2013

Family Affair

Dieter Roth. Björn Roth
Hauser & Wirth
Through April 13, 2013

Bruno Alfieri, one of the most outspoken writers on Jackson Pollock’s work, was not so impressed by an exhibition of Pollock's poured paintings. To Alfieri, the artwork seemed to be thrown together randomly, with little thought. In 1950, Time magazine's article "Chaos, Damn It!" quoted Alfieri on Pollock's work: There is "nothing but uncontrolled impulse. ... It is easy to detect the following things in all of his paintings: chaos; absolute lack of harmony; complete lack of structural organization; total absence of technique, however rudimentary; once again, chaos."” A cursory appraisal of the work of Dieter Roth, and his son Björn Roth, might initially elicit the same response.  Read more »

Identifying with Deborah Kass

Deborah Kass is an artist whose paintings examine the intersection of art history, popular culture, and the self. She received her BFA in Painting at Carnegie-Mellon University, and studied at the Whitney Museum Independent Study Program and at the Art Students' League. Her work is in the collections of the Museum of Modern Art; the Whitney Museum of Art; the Solomon Guggenheim Museum; the Jewish Museum; the Museum of Fine Art, Boston; the Cincinnati Museum; the New Orleans Museum; the Weatherspoon Museum; and numerous public and private collections. Read more »

Mirror Moves

Henri Matisse: In Search of True Painting
Metropolitan Museum of Art
Through March 17, 2013
 
The prospect of seeing forty-nine of Matisse's finest works should be enticement enough. However, the Metropolitan Museum of Art has upped the ante by arranging this somewhat thematic exhibition in groupings that show the painter refining his personal explorations in modernist paintings through endless, subtle variations. Although the pedagogical aspects of this might seem a little staid at first flush, upon close study one becomes entranced by the intricate, reductive logic that lay at the heart of all of Matisse's works.

From the start Matisse was an equal-opportunity gatherer and collector of other artists' styles and sensibilities: Giotto, Moreau, Cézanne, and van Gogh, to name a few. This is apparent right from the start of the show. Read more »

From Russia, With Love

Arcady Kotler: Sculpting the Void

Innovative artist Arcady Kotler is not associated with any particular creed, religion, or tradition, but excludes none. At the core of his works lies a profound sense of intimacy that hopefully initiates a dialog, for which the artist always longs.  Kotler's work presents the evolution of a concept bearing form: from elaborately adorned yet impeccably harmonious ("Clothed Maja") to minimalist, with a strong reference to Russian supremacy; in "The Red Square" [left], the rigid geometry of a square intrudes on the organic form of the intentionally excessively decorated Russian nesting doll. It feels as if complexity has reached its limit and collapsed into the simplicity of the red square.

A matryoshka is a traditional Russian toy, the skill level of which rests on the number of nesting dolls it consists of. The last and smallest doll of Arcady's matryotshka is not hollow. It is solid. Read more »

StimULAting Texts

Breathtaking and horrifying, Hurricane Sandy's devastating aftermath left many speechless and others still talking. "Go Home Sandy," "Boo! Go Away Sandy We Want Candy," "Better Safe than Sandy," and a slew of other witty taunts graffitied onto boarded windows and doors tried to disguise mass fear. Hundreds of 3x3 white hate-notes with brief messages to Sandy veiled shop windows in New York City. Written in different languages, the sentiment was the same. The superstormdid not discriminate, decimating already poverty-stricken and economically challenged islands including Cuba and Haiti but also sweeping away multi-million dollar homes along the gold coast of New Jersey, New York, and Connecticut. Read more »

Master of Puppets

Bjarne Melgaard: A New Novel by Bjarne Melgaard
Luxembourg & Dayan
Through December 22, 2012

I open one eye. Sunlight pours in through my Zaha Hadid-designed venetian blinds, casting horizontal shadows on the walls, turning the room into a recumbent prison cell. I was supposed to meet James Franco (who is still a little sore at me for beating him out for the part of Cocktimus Prime in Sue de Beer's hardcore version of Transformers: Revenge of the Fallen) in Central Park an hour ago, but my Philippe Starck alarm clock (which I fully believe is haunted) failed to wake me. Read more »

Back to Black

Picasso Black and White
Guggenheim Museum
October 5, 2012 - January 23, 2013
 
Claiming once that color weakened his work, being merely an addition to an already finished canvas, Picasso eliminated it from his palette during many phases of his well-documented career. If one wanted to make the case that the haunting blue period and the sugary rose one were the painterly equivalents of tinted photos, then there might be a case to be made for it being a lifelong practice with which Picasso demonstrated the supremacy of drawing above all else in his work. Clearly the Guggenheim, in this well-curated exhibition, makes a strong argument for this position, bringing nearly 150 paintings, many of which have never been seen before in New York, as well as some that have never been exhibited publicly, to its Frank Lloyd Wright temple of Modernism.

Hudson Valley, Take 2

New Hudson/Second Nature
The Living Room, Cold Spring, NY
 
The Hudson Valley was, to the Hudson River School of painters, a glorious and inspirational place. Today, after a century and a half of industrialization and development, a good bit of what once was is gone and the otherworldly beauty that defined the Hudson Valley has disappeared with it.

The five artists who have been selected for New Hudson/Second Nature by curator Suzanne Ball give you the idea that, despite the changes, the Hudson Valley remains a powerful draw for the more creative among us. Read more »

Little Q+A: David Humphrey + Bradley Rubenstein

David Humphrey's new work can be seen in solo exhibitions at Fredricks & Freiser, New York, opening November 8, 2012, and at The American University Museum in Washington, DC, opening November 3, 2012.

Bradley Rubenstein: The last time I was at your studio, we were looking at an empty landscape in progress. You said, "This one is just waiting for a protagonist." You were thinking in terms of storytelling -- a part of the picture was the character, another was the set. Read more »

Nashville Rising: Carrie Mae Weems and Other Current Exhibits

It happens quickly -- discomfort in a public place -- and it is a very effective element to control, as you will experience with the work of Carrie Mae Weems. Early on in the exhibition at the Frist Center for the Visual Arts, Carrie Mae Weems: Three Decades of Photography and Video, Weems confronts her audience with her AINT JOKIN’ series from 1987-88. Here she combines images and text that project racial stereotyping with works such as "Black Woman with Chicken" [left] and "Black Man Holding Watermelon." In another piece nearby we see a vintagepolitical drawing of Abraham Lincoln looking a bit disheveled, seated in a room filled with props and papers positioned above the question: WHAT DID LINCOLN SAY AFTER A DRINKING BOUT?. The answer-box nearby reveals: I FREED THE WHAT?. The exposure to this, and other bits of appropriated hurtful humor will surely prompt an uncomfortable feeling in most viewers as it flies in the face of current, ‘public’ trends toward universal political correctness. Read more »

Double Fantasy

Jackson Pollock and Tony Smith: Sculpture: An Exhibition on the Centennial of their Births
and
Tony Smith: Source
Matthew Marks Gallery
Through October 27, 2012

Nominally a show of sculpture, Matthew Marks is presenting something more like relics of art world myth, or a romanticized artist-buddy story (think Lust for Life or Schnabel's Basquiat). It seems an odd pairing at first glance: Pollock, whose paintings consist of poured or dripped skeins of paint and are the archetype of Ab Ex passion, and Tony Smith, whose Buckminster Fuller-like geodesic monuments ushered in an Age of Cool. This show presents the remains of a day, one spent at Smith's New Jersey home, when Smith tried to coax out of the fallow (and soon-to-be-dead) Pollock a few last attempts at making art and ended up becoming a sculptor himself. Read more »

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