Art Review

The Details Are In The Story

Jinju Lee
February 6 - 27th, 2014

Korean native Jinju Lee paints existential narratives of making do and coming-to-terms in arduously solitary indoor and outdoor conditions. Lee’s stories have allegorical implications as the situations and environment she depicts with so much precision and clarity seem to have as to do with the mental as well as the territorial landscape in which the subject (or is it victim?) finds herself. Read more »

The Recognitions

Michel Majerus
Matthew Marks Gallery, NY
 
"I create, you copy nature." Pablo Picasso, in conversation with Balthus
 
"In the [19]90s painting didn’t repel criticism; it absorbed it… fake painting created fake criticism." Dr. Hope Ardizzone, The Death of the Death Motif in Post-Millennial Painting
 
"Even the paintings looked dead…" Margaret Atwood, The Handmaid's Tale
 
"The audience has a taste for shit. The critics have a taste for shit." James Franco, Actors Anonymous

The Little Flower of 97 Orchard Street: The Tenement Museum

There is a nondescript, brick building at 97 Orchard Street. Without signs telling you what it is, you would most certainly walk by without giving it any notice, yet it possesses something so unique to New York and indicative of the city's individual essence that it could be argued that it represents the soil from which so much that is New York has sprouted. This is The Tenement Museum. Read more »

Raindogs

Allison Schulnik: Eager
ZieherSmith Gallery, NYC
Through February 22, 2014
 
And it's a battered old suitcase


Holidays in the Sun... or on Mars!

Elizabeth: This year has dumped a load of food, fine art, and complete confusion all at once; Hanukkah converged with Thanksgiving for the first time in years sending us all to the trough –- now the Miami Fairs and Santa are on the way. As an art shipper, I'm on a cheap holiday in other people's misery, as the Sex Pistols put it. At the VIP opening of Art Basel, Kate Gilmore caved to Miami sexist traditions and low-balled her performance piece by having the women and men, who smashed ruby colored metal cubes with sledgehammers, perform bare-chested! Really, girl? Read more »

Walk On

Julian Schnabel: The Walk Home
The Brant Foundation Art Study Center
Opened November 11, 2013

“Must we learn again the simple, forthright experience of actually seeing a painting?” William Gaddis Read more »

Swimming Lessons

Robert C. Morgan: The Swimming Lessons, 1981 (Translating Duchamp's Green Box), and Related Works
Rooster Gallery, NYC

Saturday Night Special

Michael Williams: Paintings
The CANADA Gallery, NYC
Through December 8, 2013

INT. BELLYLAFFS COMEDY CLUB - EVENING

HOUSE BAND [Jay-Z/Kanye West]: I ball so hard muthafuckas wanna find me, first niggas gotta find me / Tha shit cray / Tha shit cray / Tha shit cray / Ain’t it, Jay?

MUSIC FADES.

SIDEKICK [Tracy Morgan]: Give it up for Jay-Z and Kanye West, Ladies and Gentlemen… and now, you have probably seen his recent special It Ain't Gonna Suck Itself [Applause]…Bellylaffs is pleased to present one white boy who really does ball hard…

HOST [James Franco] - enters stage right]: Thank you Tracy! Thank you! [Applause] Thank you! It’s true, I really do ball hard. Very hard. Mostly by myself… [Laughter/Applause]… Thank you…

HOST: So this guy, who has never been sick a day in his life, calls his boss. He says, "I can’t come in today, I’m sick." The boss says, "No problem, take the day off. I’m just curious, though, how sick are you?" The guy says, "I just fucked my sister!" Read more »

Primitive Culture

Lester Johnson: Dark Paintings
Stephen Harvey Fine Art Projects
Through November 17, 2013

Trick or Treat? October Art Romp

Like sugar-induced hyperactive children, David and I went to the only place where grownups ring doorbells to see art: The Upper East Side. Were we tricked? Yes. Were we treated? Yeah, that too. Read more »

Watch That Man: Larry Krone + Bradley Rubenstein

Born in Chicago, Illinois, in 1970, Larry Krone was raised in St. Louis, Missouri, and now lives and works in New York City's East Village. He has been exhibiting his drawings, sculptures, installations, and videos since the early 1990s. Some of the museums he has exhibited at include the Whitney Museum of American Art Philip Morris Branch and the Contemporary Art Museum St. Louis, which in 2006 presented Larry Krone: Artist/Entertainer, a ten-year retrospective of Larry Krone's visual and performance work. Read more »

Altered States

Bradley Rubenstein: Saints
Creon Gallery
Through September 30, 2013
 
Bradley Rubenstein: Drawings (curated by Lucio Pozzi)
Palazzo Vivaldini Carra
Grioli, 46, Mantova Italy
Through September 28, 2013

Children are innocent, we are told, existing in a state of unperturbed self-sufficiency and looking at the outside world with unlimited trust. They share this ideal condition with the objects of their affection, such as cats, dogs, or other pets. When disaster strikes and this peaceful existence is disturbed, some natural law seems to have been violated. As in much of contemporary horror, the shock effect of evil deeds and ghastly events is greatly enhanced if unleashed on the pure and simple in spirit or invading a seemingly picturesque locale and cheerful ordered communal life. The supposedly asexual and immaculate bodies of pre-pubescent children are the primary site of artist Bradley Rubenstein's investigations into the changing conceptions of identity and the state of ethical, social, and sexual attitudes today.

In his drawings and paintings these icons of innocence seem to have been subjected to experiments worthy of Dr. Moreau: a child with a clenched fist as head; amalgamations of two torsos and several exaggerated limbs or with cephalopod tentacles; and, again and again, adolescents engaging in strange unions with giant adult hands. The faceless configurations of human and animal forms are like defenseless victims, threatened by the grasp of the adult world and in constant danger of forever losing their blissful ignorance.

Rubenstein's human and animal composites are strangely lifeless, frozen in time like ancient monuments. Placed into melancholic isolation they have quietly resigned themselves to their fate, arrested in movement and lost in insurmountable loneliness. Either painted with dense layers of carbon, or carefully rendered in graphite and in black or sepia ink, the drawings approach the cold and distant observation of scientific illustrations, faithfully documenting rare anatomical specimens of deviations in nature. The artist deliberately distances himself from the explicit and loaded sexuality of the adult and, in particular, the violated female body, suppressing the projection of voyeuristic desire which, nevertheless is subliminally and disconcertingly manifest. Read more »

Pretty in Pink

Cary Leibowitz: (paintings and belt buckles)
Invisible Exports
Through October 13, 2013
 
"In the beginning was the Word…"
John 1:1

September 2013 is like a Box of Chocolates

One of the reasons that I returned to the East Village so soon was that my previous August art stomp with David Carbone ran longer than expected and we did not get to visit The Sweet Life, a local candy store on Hester Street. So before David and I headed off to see what the art world had to offer, my sweet tooth had to be placated with chocolate cherries and licorice Scotty dogs. What we found after David slapped me out of my diabetic coma was much like the selection at The Sweet Life, extremely surprising and varied. Read more »

East Village Summer Stomp

This summer, for lack of a better description, has been unusual in that it has been busy for the art world. For those of you who don’t know me in the writing forum: in my other life I own an art shipping company, and we have been busy!  As have many of my competitors!  Good for everybody. Read more »

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