Between 1942 and 1963 Dorothy Canning Miller was the curator of the influential Americans shows at the Museum of Modern Art. Beginning with Americans 1942: 18 Artists From 9 States and ending with Americans 1963, Miller presented the work of artists such as Hyman Bloom, Robert Motherwell, Jay DeFeo, Robert Rauschenberg, Jasper Johns, Lee Bontecou, and Frank Stella -- artists who would ultimately be the defining contributors to the mid-century American art historical canon. After a gap of nearly a half-century, MoMA once again is reviving this tradition with Laura Hoptman’s The Forever Now: Contemporary Painting in an Atemoporal World, an exhibition of seventeen painters representing current trends in painting. Read more »

A Tangled Web: D. Dominick Lombardi, Curator

The group show is one of those things that can either be done well or becomes an exhibition overwhelmed by variety -- or worse, a clutter of objects that don’t relate to each other without the benefit of lengthy wall texts. D. Dominick Lombardi, a veteran New York curator, has managed to pull together a visually interesting exhibition at Causey Contemporary, which was based on the simple premise of pairing the artists represented by the gallery with an outside artist of Lombardi’s choosing whom he felt complemented the work. What results is a show that is short on theory and long on visuality. He has turned the exhibit into a kind of dance, with one wondering (without looking at the cheat sheet) which artists are waltzing with each other. Read more »

Elga Wimmer PCC Art Gallery, NYC

The exhibition at Elga Wimmer PCC, Resonance and Memory: the Essence of Landscape, curated by Robert Curcio, displays eight distinctive artists whose fresh perspective on landscape reinvigorates the genre by infusing it with issues that span time, real space, digital intervention, and altered observed reality. This diverse show includes paintings, sculpture, digital drawings, photography, and glass works by Kathleen Elliot, Sandra Gottlieb, J.J. L'Heureux, John Lyon Paul, Rebeca Calderón Pittman, Gerry Tuten, Gail Watkins, and Martin Weinstein.  Read more »

Nicola Tyson was born in 1960 in London, England. She attended Chelsea School of Art, St. Martins School of Art, and Central/St. Martins School of Art in London. She currently lives and works in New York.

Primarily known as a painter, Tyson also works with photography, film, performance, and the written word. Tyson's photographs document the early days of the Blitz Kids and the beginnings of the New Romantic movement -- late Seventies, post-Punk London. Bowie Nights at Billy's Club was a weekly event in a small Soho venue, the brainchild of a young Steve Strange and Rusty Egan. The event quickly became the beating heart of a brand-new scene -- a refuge for disillusioned punks; suburban art school students; androgynous, subversive, creative kids; and (most importantly) Bowie fans, all competing for conspicuousness. Among them were the future stars of Eighties synth-pop: Boy George, Marilyn, Simon Le Bon of Duran Duran, and a plethora of culture-defining individuals across fashion, film, and art. Bradley Rubenstein talks with Tyson about her paintings, her photography, and her recent forays into sculpture. Read more »

Assenting Voices: Agitprop Art in North Korea

Curated by Dr. Thalia Vrachopoulos, Assenting Voices presents twelve oil paintings on canvas and thirteen posters by North Korean print-making collectives. Two "Social Realist" style posters were created as early as 1956 and 1960, but the majority of them were produced in the 1970s and early 1980s. Posters by seven artists, working mostly with the Chosun Labour Party Publisher and Pyongyang Total Print Factory, are included. The carefully rendered contemporary oil paintings, dated 2011 and 2012, present idealized images that portray scenes of young woman in a variety of life pursuits.  Read more »

Francesco Clemente: Inspired by India

The original impulse in my life as an artist was to write and to break from writing into image.... Art is the last oral tradition alive in the West. - Francesco Clemente Read more »

I first came to know Kook Projects from curator Soojung Hyun, who asked me to participate in their inaugural show Kooky Cutters: Redefined Realities. What I find particularly intriguing about this gallery space, besides being new and not in your typical art district, is its discreetness. Founded and directed by Kate Kook and co-founded by its curator, WooJae Chung, Kook Projects stands as one of the more unorthodox spaces in New York City, as it has no street visibility. For their openings, this nicely converted ground floor apartment directs its visitors to enter through an iron-gated service entrance, down a set of stairs, and past the building’s recycling area to an alleyway that leads to a fenced-in courtyard and interior spaces.  Read more »

Henri Matisse: The Cut-Outs

In the early months of 1945, Matisse wrote to his daughter that he had gone as far as he could with painting in oil, intending instead to focus his efforts on a large-scale decorative project using the cut-out paper technique he had employed to make sketches and maquettes for his mural and theater projects in the early Thirties ("Red Dancer" [1937-38], and "Two Dancers" [1937–38] for Diaghilev's Rouge et Noir). "Painting seems to be finished for me for now… I'm for decoration -- there I give myself everything I can. I put into it all the efforts of my life." Although he had already been employing this technique for years as an adjunct to his paintings, it was not until the mid-Forties that he turned almost exclusively to cut paper as his primary medium, introducing a radically new operation that came to be called a cut-out. The Museum of Modern Art has devoted an entire exhibition, a mini-retrospective of sorts, to this final chapter in Matisse's work. Read more »

Bong Jung Kim has a very deliberate and consistent way of working. His intention, which is navigated through bold combinations and contentious juxtapositions of symbols, mixes metaphors as he vies for a deeper cord in our psyches. He is primal with respect to color and technique, yet he tells his tale with references to the darker side of the collective contemporary social condition and our quick to throw away and ever-upgrading technology. Read more »

Siah Armajani: The Tomb Series

Iranian-born Siah Armajani, inarguably one of the finest sculptors in America to have emerged out of minimal and conceptual art, the main aesthetic strategies of the late 1960s, creates deeply affective rigorous and ruminative work. It appears to be at once elementarily simple and tautly complex. Read more »

Margaret Roleke's life has been spent in New York or the surrounding tri-state area except for three years living in London and two studying in Ohio. Her many trips to Europe, Asia, Central America, and South America have informed her practice. Roleke's art has been exhibited widely in the tri-state area, and also in several international shows. In the last year her work was seen at Scope Miami, Cutlog in New York, Fountain Art Fair in New York, and in several group exhibits in Connecticut, Harlem, and Brooklyn. Read more »

Gina Magid is a Brooklyn-based painter who creates psychologically and visually layered imagery in paint, charcoal, satin, and other materials. She was the recipient of a Guggenheim Foundation Fellowship in 2003 and a McDowell Colony Fellowship in 2004. Magid has had solo exhibitions at Feature Inc., New York; Acuna-Hansen Gallery, Los Angeles; and Artists Space, New York. Her work has been included in group shows at the Frances Young Tang Teaching Museum and Art Gallery, Saratoga Springs, New York; DiverseWorks, Houston, Texas; The Aldrich Contemporary Art Museum, Ridgefield, Connecticut; Exit Art, New York; and Greater New York 2005 at P.S.1 Contemporary Art Center, Long Island City, New York. Her work is currently at Ana Cristea Gallery, 521 West 26th Street, New York. Read more »

Millree Hughes, born in North Wales in 1960, has been making art on the computer since 1998. In the 2000s, he showed with Michael Steinberg Fine Arts. Hughes is currently working with Museum Editions (www.museum-editions.com) in New York City and Polyglot Gallery in Dallas, Texas.  Read more »

Elizabeth: Trawling around today's Chelsea galleries recently made David and me mindful of the days when we would wander the streets of SOHO looking at art in some pretty great galleries. After the sun set, there were no Comme des Garçons or Cookshop to light the way home, but thin bedraggled men filling dumpsters with compacted shredded rags from the remaining sweatshops that dotted the area south of Houston Street. Frankly most of what was below Houston in the late 1970s and 80s was pretty creepy, outside of a few old standbys. Still, if you were there for the art, music or dancing, its edginess was exciting and romantic. It was also affordable to take a cab out of there -- if you could find one. Read more »

Liz Markus was born in Buffalo, New York, and currently lives and works in Brooklyn. She has previously exhibited her work at Gavlak Gallery in Palm Beach, Loyal Gallery in Stockholm, and ZieherSmith in New York. Her work is in the collection of the Whitney Museum of American Art, as well as numerous private collections. Her current solo show, Town & Country, runs through July 3rd at Nathalie Karg Gallery, 41 Great Jones Street in New York City. (Image above, Babe Paley 1.) Read more »